The Risk of Security
36×40-inch, 32-color Reduction Serigraph (screen print) on hand-tinted wood panel using traditional stenciling and pochoir techniques
36×40-inch, 32-color Reduction Serigraph (screen print) on hand-tinted wood panel using traditional stenciling and pochoir techniques
22×36-inch, 22-color Reduction Serigraph (screen print) using traditional stenciling and pochoir techniques on archival Rives paper.
6-foot x 18-inches, 4-color Serigraph (screen print) on handmade paper made from Holy Grail screenplays, Norwegian Blue parrot feathers and one other sacred ingredient.
16×16 inches, 6-color Serigraph (screen print) on handmade paper made from fortune cookie fortunes, chop stick wrappers, placemats and hand-tinted with soy sauce.
8.5×11-inch, 2-color Serigraph (screen print) on card stock
I went browsing through a local antique shop today and found an old copper plate engraving from the 1940s or 1950s. These are the metal, engraved and etched plates that
We’re all familiar with the little packs of condiment that we get (usually on request) with our fries. Many of us are also familiar with the mess that results when
20×24 inch, 4-color Serigraph (screen print) on Strathmore 500 series archival watercolor paper
30×38 inch, 3-color Serigraph (screen print) on handmade paper made from shredded Baptist Hymnals, scraps of blue jean denim, grass and turf from Hank’s grave in Montgomery, Alabama and locks of red human hair
20×24 inch, 4-color Serigraph (screen print) on Strathmore 500 series archival watercolor paper
10×12-inch Serigraph (screen print) on weathered newsprint
48×48-inch, acrylic painting on stretched canvas
16×26-inch, 5-color Serigraph (screen print) on dark grey, handmade paper
40×30-inch, 1-color Serigraph (screen print) over color wash on archival Reives paper