Aqua Infinita
31×31 inch, Printed and hand-applied stenciling applied via pochior and reduction screen printing methods on Strathmore 400 paper.
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31×31 inch, Printed and hand-applied stenciling applied via pochior and reduction screen printing methods on Strathmore 400 paper.
18×24-inch, 10-color Reduction Serigraph (screen print) on Arches Aquarelle archival cotton paper, using traditional silkscreen stenciling and pochoir techniques.
“The Invitation” is a 3×4 foot oil painting that evolved into a massive, Reduction Method Screen Print Project.
Both the Painting and the Screen Print each took about a year to complete.
A very limited edition of just five, twelve-color 16x20s were were hand-pulled by the artist, printed full-bleed on handmade paper
A very limited edition of just five, twelve-color 16x20s were were hand-pulled by the artist, printed full-bleed on handmade paper
A very limited edition of just five, twelve-color 16x20s were were hand-pulled by the artist, printed full-bleed on handmade paper
A very limited edition of just five, twelve-color 16x20s were were hand-pulled by the artist, printed full-bleed on handmade paper
A very limited edition of just five, nine-color 16x20s were were hand-pulled by the artist, printed full-bleed on handmade paper
A very limited edition of just five, six-color 16x20s were were hand-pulled by the artist, printed full-bleed on handmade paper
A very limited edition of just five, nine-color 16x20s were were hand-pulled by the artist, printed full-bleed on handmade paper
Rather than love, than money, than fame, give me truth. –Thoreau LATELY, THERE’S BEEN MORE THAN A BIT OF CONFUSION ABOUT THE TRUTH. I’m not talking about REAL Truth, but
28 x 28-inches, 6-color serigraph (screen print) on handmade paper made from embedded coffee grinds, shredded Columbian coffee shipping bags and coffee-infused craft pulp. The brown ink is even made from coffee.
Good, bad and everywhere in-between, like it or not, we all have feelings. When we’re feeling good, when we’re happy, contented, well-fed and aren’t worried about having to sleep out
http://www.youtube.com/watch?v=CXYNcRWndeY The Risk of Security is a 36×40-inch, 32-color Serigraph print on hand-tinted wood panel. The 32 colors in this print were produced using a single screen and the reductive process. Hand painting the stencils alone took