Art for Art’s Sake

Spring Thistles, by Terrell Thornhill

Spring Thistles

“Spring Thistles” 18-color 24×30 inch, reduction method screen print Cold Embossed on Arnhem 1618 Printmaking Paper.

Burning Monk, by Terrell Thornhill

The Burning Monk

“Thich Quang Duc, The Burning Monk.” 5 color monochrome monotype print on 11×14 inch Arnhem 1618 printmaking paper.

Figurative Study 2, by Terrell Thornhill

Figurative Study 2

“Figurative Study 2” 8×8 inch monotype print on Arnhem 1618 printmaking paper.

Figurative Study 1, by Terrell Thornhill

Figurative Study 1

“Figurative Study 1” 8×8 inch monotype print on Arnhem 1618 printmaking paper.

The Fairlane Hotel, by Terrell Thornhill

The Fairlane Hotel

“The Fairlane Hotel:” Only 5 signed and numbered 11×21-inch editions. 22-Color reduction method screen print.

Frazier Fountain, by Terrell Thornhill

Frazier Fountain

“Frazier Fountain” Only 5 signed and numbered 11×21-inch editions. 18-Color reduction method screen print on Strathmore 400 Paper.

"Golden Glade" by Terrell Thornhill

Golden Glade

“Golden Glade:” Only 5 signed and numbered 11×21-inch editions. 16-Color reduction method screen print.

Muse, by Terrell Thornhill

Muse

18×24-inch, 9-color serigraph (screen print) on Strathmore 400 series paper. Only 5 editions were printed.

The Ryman Auditorium

18×24-inch, 10-color Reduction Serigraph (screen print) on Arches Aquarelle archival cotton paper, using traditional silkscreen stenciling and pochoir techniques.

The Risk of Security

36×40-inch, 32-color Reduction Serigraph (screen print) on hand-tinted wood panel using traditional stenciling and pochoir techniques

The Death of Faith

22×36-inch, 22-color Reduction Serigraph (screen print) using traditional stenciling and pochoir techniques on archival Rives paper.