Gingko Nouveau – A Traditional Japanese pen & ink design screen printed on the reverse of hand-shaped clear acrylic with gold leaf embellishments, suspended over beautifully textured handmade paper, also (of course) gold leafed.

19×40 Framed, One-of-a-kind piece, No reproductions or prints available.

“In Lucem.” 44 color reduction method screen print on 24×30 canvas panel.

“Spring Thistles” 18-color 24×30 inch, reduction method screen print Cold Embossed on Arnhem 1618 Printmaking Paper.

“Thich Quang Duc, The Burning Monk.” 5 color monochrome monotype print on 11×14 inch Arnhem 1618 printmaking paper.

“Figurative Study 2” 8×8 inch monotype print on Arnhem 1618 printmaking paper.

“Figurative Study 1” 8×8 inch monotype print on Arnhem 1618 printmaking paper.

“The Fairlane Hotel:” Only 5 signed and numbered 11×21-inch editions. 22-Color reduction method screen print.

“Frazier Fountain” Only 5 signed and numbered 11×21-inch editions. 18-Color reduction method screen print on Strathmore 400 Paper.

“Golden Glade:” Only 5 signed and numbered 11×21-inch editions. 16-Color reduction method screen print.

18×24-inch, 9-color serigraph (screen print) on Strathmore 400 series paper. Only 5 editions were printed.

18×24-inch, 10-color Reduction Serigraph (screen print) on Arches Aquarelle archival cotton paper, using traditional silkscreen stenciling and pochoir techniques.

36×40-inch, 32-color Reduction Serigraph (screen print) on hand-tinted wood panel using traditional stenciling and pochoir techniques

22×36-inch, 22-color Reduction Serigraph (screen print) using traditional stenciling and pochoir techniques on archival Rives paper.

8.5×11-inch, 2-color Serigraph (screen print) on card stock